Beauty and Uprising in the Working-Class Suburbs of Paris

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When choices from “Périphérique” have been first exhibited, starting in 2007, they have been nearly instantly properly acquired. Bourouissa, then barely thirty, was launched into a global circuit of artwork festivals, museum collections, and large-scale exhibitions, together with the inaugural New Museum Triennial, in 2009, aptly titled “Younger Than Jesus.” In their wider circulation, Bourouissa’s photos carried a brand new weight. Through their elegant artifice, the pictures achieved a extra truthful narrative of the banlieues. “It was all about creating a language, creating a tension in the image,” Bourouissa instructed the late curator Okwui Enwezor, in a 2017 interview. “I wanted to bring it into another aesthetic dimension. For me, this dimension, this beauty, can be totally subversive.”

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